After a presidential decree that shuts off the Internet connection nationwide, two neighbours who have never spoken in real life but have a worship relationship online meet and leave the big city for a day to live offline.

After a presidential decree that shuts off the Internet connection nationwide, two neighbours who have never spoken in real life but have a worship relationship online meet and leave the big city for a day to live offline.

BeHappy是一款通过智能手机购买毒品的秘密隐形应用程序，它的用户面临着一个隐藏在匿名者名下的强大对手。他告诉用户，他已经成功泄露了所有使用过该应用程序的人的数据，现在他给用户一个选择--去警察局坦白一切，或者玩一场死亡游戏。当BeHappy用户们收到一张藏宝人被割喉的照片时，这场游戏中落败者所面临的结局，就一目了然了....

BeHappy是一款通过智能手机购买毒品的秘密隐形应用程序，它的用户面临着一个隐藏在匿名者名下的强大对手。他告诉用户，他已经成功泄露了所有使用过该应用程序的人的数据，现在他给用户一个选择--去警察局坦白一切，或者玩一场死亡游戏。当BeHappy用户们收到一张藏宝人被割喉的照片时，这场游戏中落败者所面临的结局，就一目了然了....

离线家庭讲述了一家三口在野餐中的小插曲。

离线家庭讲述了一家三口在野餐中的小插曲。

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

以国内外的科幻作品为指引，讲解其中蕴含的科学原理，启迪想象力与创造力，激发大众对科学的热爱与兴趣。